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The Friendly Agent, published by S. W. Fores in 1787 (etching)
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The Friendly Agent, published by S. W. Fores in 1787 (etching)
NCO191276 The Friendly Agent, published by S.W. Fores in 1787 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Warren Hastings (1732-1818) impeached on charges of corruption as Governor-General of India; a supporter tries to pull him out of danger; weighed down by sack of stolen rupees and property; post with head of Edmund Burke (1729-97); George III (1738-1820) and Queen Charlotte (1744-1818); ); English, out of copyright
Media ID 22599710
© Bridgeman Images
Colonies Dangling Hanging Hanoverian Political Satire Pulley Strangling Theft Accuser
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The Friendly Agent
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is a captivating etching published by S. W. Fores in 1787, created by the renowned artist James Gillray. This intriguing artwork captures a pivotal moment in history when Warren Hastings, the Governor-General of India, faced impeachment charges for corruption. The scene depicted in this print showcases the intense political climate of the time. A loyal supporter attempts to rescue Hastings from impending danger as he is weighed down by a sack filled with stolen rupees and property. The post featuring the head of Edmund Burke stands tall nearby, symbolizing his role as an accuser in this scandalous affair. Intricately detailed, "The Friendly Agent" also includes figures representing George III and Queen Charlotte observing the unfolding drama from afar. Their presence underscores the significance of colonialism during this era and highlights how it shaped British politics. Gillray's satirical genius shines through as he incorporates elements such as a pulley system, a ghostly nuncomar beckoning ominously, and even alludes to potential strangling or hanging consequences for those involved. This thought-provoking piece serves not only as political satire but also provides commentary on power dynamics within colonies and exposes corrupt practices that plagued imperial rule during Georgian times. Courtesy of New College Oxford's collection and made available through Bridgeman Images' archive, this historic etching continues to captivate viewers with its intricate details and biting social critique centuries after its creation.
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