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Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether
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Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether
NCO189731 Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Sir Francis Burdett (1770-1844) returned as Member of Parliament for Middlesex; carriage pulled by the poor; ); English, out of copyright
Media ID 23199946
© Bridgeman Images
Anti Jacobin Banner Bonnet Rouge Cheered Clown Constitutional Monarchy Corruption Driver Drummer Elected Election Fete Hanoverian Jester Political Satire Welcomed Whip
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Middlesex Election, 1804 - A Vibrant Snapshot of Political Satire and Democratic Triumph
EDITORS COMMENTS
. This print captures the essence of the historic Middlesex Election in 1804, a momentous event that showcased both the power of democracy and the biting wit of political satire. Published by Hannah Humphrey and masterfully etched by James Gillray, this hand-coloured masterpiece offers a window into an era defined by its fervent political climate. At its heart, this image depicts Sir Francis Burdett's triumphant return as Member of Parliament for Middlesex. Amidst a sea of cheering supporters, we witness an extraordinary sight—a carriage being pulled not by horses but rather by impoverished citizens. This powerful symbol underscores the notion that it is ultimately the people who hold true power in a democratic society. The scene is alive with energy as flags wave proudly overhead and locals celebrate their elected representative. Yet amidst the jubilation lies subtle commentary on corruption within politics; from hanging rats representing deceit to a crushed dog symbolizing loyalty trampled upon, Gillray's satirical genius shines through every detail. As we delve deeper into this richly detailed composition, we encounter various elements—such as bonnet rouge-wearing statesmen and jester-like clowns—that further emphasize themes of constitutional monarchy and anti-Jacobin sentiment prevalent during this Georgian period. Intriguingly complex yet undeniably entertaining, "Middlesex Election, 1804" stands as both historical documentation and artistic brilliance
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