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The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land
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The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land
NCO193186 The Prophet of the Hebrews: the Prince of Peace conducting the Jews to the Promised Land, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 22599554
© Bridgeman Images
1749 1806 1751 1816 Apocalyptic Charles James Fox Demons Dragon Flaming Sword Gallows Jacobin Last Judgment Liberty Cap Money Box Papal Crown Political Satire Red Star Revelations Revolutionary Richard Brinsley Sheridan Sack Sans Culotte Satanic French Revolution Jewish Religion Jews
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The Prophet of the Hebrews - the Prince of Peace conducting the Jews to the Promised Land
EDITORS COMMENTS
is a captivating and thought-provoking print that takes us back to 1795, a time of political turmoil and revolutionary fervor. Created by James Gillray, this hand-colored etching showcases his mastery in political satire. In this apocalyptic scene, we witness an array of symbolic elements intertwined with biblical references. The central figure, representing the Prince of Peace, leads a group of Jews towards their long-awaited Promised Land. With a flaming sword in hand, he crushes monarchy underfoot while trampling upon demonic creatures and an ominous dragon. Gillray's sharp wit is evident as he incorporates various figures from contemporary politics into this satirical tableau. We spot Charles James Fox and Richard Brinsley Sheridan among others; their inclusion suggests their alignment with Jacobin ideals during the French Revolution. The artist skillfully employs religious symbolism throughout the composition. A papal crown lies discarded on the ground, symbolizing defiance against oppressive religious institutions. An owl perched atop a gate represents wisdom amidst chaos while liberty caps signify freedom from tyranny. This engraving serves as both social commentary and political critique during a time when England was grappling with its own internal struggles for reform. Gillray's meticulous attention to detail creates a visually striking image that demands contemplation on themes such as power dynamics, religion, revolution, and liberation. Courtesy of Bridgeman Images' Fine Art Finder collection, this print allows
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