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A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803
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A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803
NCO191726 A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 23199980
© Bridgeman Images
Boots Bridle Cravat Crop Equestrian Portrait Fashionable Dress Frock Coat Gloves Hanoverian Pony Reins Saddle Social Satire Stirrups Top Hat Trotting Upright
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EDITORS COMMENTS
This hand-coloured etching, titled "A Scotch Pony, commonly called a Galloway" was published by Hannah Humphrey in 1803. Created by the renowned satirical artist James Gillray, this equestrian portrait captures the essence of British society during the Georgian era. In this whimsical scene, a distinguished rider is depicted atop a sturdy pony trotting through the picturesque countryside. The rider's straight back and elegant attire reflect the fashion trends of the time - he dons a fashionable frock coat, cravat, and top hat. His wig adds an air of formality to his appearance. Gillray's keen eye for detail is evident in every element of this print. From the carefully engraved reins and stirrups to the meticulously rendered landscape and path beneath them, no aspect has been overlooked. The pony itself exudes strength and grace as it carries its rider effortlessly along. As with many of Gillray's works, social satire plays a prominent role here. The exaggerated proportions and caricature-like features add an element of humor to this otherwise refined scene. Through subtle visual cues such as gloves and medals worn by our protagonist, Gillray offers commentary on societal norms and aspirations prevalent at that time. Overall, this print not only showcases Gillray's exceptional talent but also provides us with insight into Georgian society - its fashion sensibilities, class distinctions, and even its sense of humor. It serves as both an artistic masterpiece and historical artifact that continues to fascinate
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