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Sin, Death, and the Devil, published by Hannah Humphrey in 1792 (hand-coloured etching)

Sin, Death, and the Devil, published by Hannah Humphrey in 1792 (hand-coloured etching)


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Sin, Death, and the Devil, published by Hannah Humphrey in 1792 (hand-coloured etching)

NCO190428 Sin, Death, and the Devil, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); 31.5x40 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: parody of Paradise Lost by John Milton (1608-74); William Pitt (1759-1806) fights with the Chancellor, Edward Thurlow (1731-1806); Queen Charlotte (1744-1818) depicted as a serpent, intervened in favour of Pitt; ministers with bodies of dragons; ); English, out of copyright

Media ID 22339930

© Bridgeman Images

Beast Claws Crone Emaciated Evil Gorgon Intervening Minister Political Satire Prime Minister Reptilian Scales Sceptre Sorceress Winged Witch Monster


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > James Gillray

> Arts > Artists > J > William James

> Arts > Artists > M > John Milton

> Arts > Artists > T > James Thurlow

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > London > Politics > William Pitt

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> People > Politicians


EDITORS COMMENTS
The print "Sin, Death, and the Devil" is a captivating piece of political satire created by James Gillray in 1792. This hand-coloured etching, published by Hannah Humphrey, cleverly parodies John Milton's epic poem Paradise Lost. In this artwork, we witness an intense clash between two prominent figures of the time: William Pitt and Edward Thurlow. Pitt, depicted as an emaciated prime minister with wings and a sceptre, engages in a fierce battle with Chancellor Thurlow. The scene is further intensified by the presence of Queen Charlotte portrayed as a serpent who intervenes on Pitt's behalf. Gillray masterfully transforms these politicians into monstrous creatures with dragon-like bodies to symbolize their deceitful nature. The ministers' reptilian forms highlight their evil intentions and conniving ways. The artist's attention to detail is evident in his portrayal of each character; from the sorceress-like appearance of Queen Charlotte to the grotesque features of both Pitt and Thurlow. Their exaggerated caricatures emphasize their flaws while adding humor to this biting political commentary. This satirical engraving serves as a scathing critique on the state of politics during that era. It exposes corruption within government ranks while mocking those in power for their questionable actions. Today, "Sin, Death, and the Devil" remains not only an artistic masterpiece but also a historical document capturing the essence of political satire at its finest.

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