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The State Tinkers, published by William Humphrey in 1780 (etching)
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The State Tinkers, published by William Humphrey in 1780 (etching)
NCO191225 The State Tinkers, published by William Humphrey in 1780 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: the Ministry of Lord North (1732-92); ); English, out of copyright
Media ID 22932398
© Bridgeman Images
Administration Admiral Bicorn Clumsy Feather Hammering Hanoverian Mallet Ministers Nail Nailing Naval Uniform Political Satire Prime Minister Queue Repairing Tinker Patching Tory Party
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The State Tinkers
EDITORS COMMENTS
is a captivating etching published by William Humphrey in 1780, created by the talented James Gillray. This political satire offers a humorous and insightful commentary on the Ministry of Lord North during the Georgian era. In this intricate artwork, we witness a scene filled with symbolism and wit. The central figure, representing Lord North himself, is depicted as a clumsy tinker attempting to repair a cracked bowl that symbolizes his administration. Dressed in naval uniform with an admiral's bicorn hat, he kneels down while hammering away at the bowl with comical ineptitude. Surrounding Lord North are various ministers and politicians portrayed as tinkers engaged in their own repairs. Each character embodies different aspects of the Tory Party's government at that time. A prime ministerial wig sits atop one tinker's head while another wears a turban-like feathered hat associated with Hanoverian politics. Gillray's keen eye for detail is evident throughout this satirical masterpiece. From the queue hairstyle commonly worn during that period to the meticulous rendering of each character's facial expression, every element adds depth to this caricature-filled composition. "The State Tinkers" serves as both entertainment and social critique, shedding light on the flaws and shortcomings of those in power during an important historical era. It stands as a testament to Gillray's talent for capturing political nuances through artistry while providing viewers with an amusing glimpse into 18th-century British politics.
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