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Skipping, c. 1896 (oil on canvas)
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Skipping, c. 1896 (oil on canvas)
989585 Skipping, c.1896 (oil on canvas) by Morgan, Frederick (1856-1927); 76.5x51.5 cm; Private Collection; (add.info.: Skipping. Frederick Morgan (1856-1927). Oil on canvas. Painted circa 1896. 76.5 x 51.5cm.); Photo eChristies Images; English, out of copyright
Media ID 22523846
© Christie's Images / Bridgeman Images
1896 Accessories Face To Face Facing Female Garment Frederick Morgan Friend Friendly Friends Friendship Girls Only Interaction Jump Rope Morgan Natural Light Personal Accessory Relationship Sibling Siblings Sister Sisters Skipping Skipping Rope Sunny Victorian Art White Color 19th Century European Art Apparel Artist British British Artist Ethnic Origin Youthful
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EDITORS COMMENTS
The captivating oil painting, "Skipping" by Frederick Morgan, takes us back to the enchanting world of childhood in the late 19th century. This delightful artwork captures a moment of pure joy and innocence as two young girls engage in a friendly skipping rope game. Set against a backdrop of natural light, Morgan skillfully portrays the vibrant energy and movement of his subjects. The artist's attention to detail is evident in every brushstroke, from the delicate folds of their dresses to the playful bows adorning their hair. The sisters' attire reflects the fashion trends of Victorian England, with their white garments contrasting beautifully against the lush greenery surrounding them. Their youthful faces radiate happiness under the warm sunlight, highlighting their caucasian ethnicity. Morgan's mastery lies not only in capturing physical likeness but also in conveying emotions through his art. The genuine bond between these siblings is palpable as they face each other with wide smiles and locked gazes. This timeless masterpiece reminds us of simpler times when outdoor play was cherished and cherished friendships were formed. It serves as an exquisite example of British art from this era and continues to captivate viewers with its charm over a century later.
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