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Gerhard van Suchtelen, c. 1666 (oil on canvas)
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Gerhard van Suchtelen, c. 1666 (oil on canvas)
3526187 Gerhard van Suchtelen, c.1666 (oil on canvas) by Borch or Terborch, Gerard ter (1617-81); 80.01x63.5 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; (add.info.: Burgomaster (chief magistrate) Gerhard van Suchtelen (1640-1722) of Deventer in the province of Overijssel, traditional and conservative in sombre black attire
companion to his wife Maria XOS 3526186); Dutch, out of copyright
Media ID 22444090
© Bridgeman Images
Affluent Breeches Burgermeister Doublet Dutch Golden Age Golden Age Magistrate Mayor Somber Sombre Status Velvet Wealthy Burgemeester
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EDITORS COMMENTS
This portrait, titled "Gerhard van Suchtelen, c. 1666" captures the essence of a prominent figure in Dutch society during the Golden Age. Painted by either Borch or Terborch, Gerard ter (1617-81), this oil on canvas print measures 80.01x63.5 cm and is housed in the Corcoran Collection at the National Gallery of Art in Washington D. C. , USA. The subject of this painting is Gerhard van Suchtelen (1640-1722), a Burgomaster (chief magistrate) from Deventer in the province of Overijssel. He exudes an air of traditionalism and conservatism, dressed impeccably in sombre black attire that reflects his status and authority. His wife Maria accompanies him as a companion, depicted in another painting within this collection. Van Suchtelen's portrait showcases his affluence through luxurious details such as his velvet doublet and hat adorned with feathers. The artist skillfully captures his serious demeanor, emphasizing both his wealth and importance within society. This artwork provides us with a glimpse into domestic life during the Dutch Golden Age, where individuals like Van Suchtelen held significant positions of power and influence. It serves as a testament to their prosperous lifestyle while also highlighting their commitment to tradition. As we admire this remarkable piece from Bridgeman Images' Fine Art Finder collection, we are transported back to a time when portraits were not only representations but also symbols of social standing and
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