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The Deliverance of Buonaconte, Purgatory, Canto 5 (engraving)
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The Deliverance of Buonaconte, Purgatory, Canto 5 (engraving)
5213985 The Deliverance of Buonaconte, Purgatory, Canto 5 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Deliverance of Buonaconte, Purgatory, Canto 5. From Illustrations of The Divine Poem of Dante Alighieri by John Flaxman (Bell and Daldy, 1867). Digitally cleaned image.); © Look and Learn
Media ID 22253578
© Look and Learn / Bridgeman Images
Comedia Commedia Dante Alighieri Divine Comedy Purgatorio Purgatory
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The Deliverance of Buonaconte, Purgatory, Canto 5
EDITORS COMMENTS
is a captivating engraving by John Flaxman that captures a pivotal moment in Dante Alighieri's epic poem, "The Divine Comedy". This exquisite print showcases the artist's skill and attention to detail as he brings to life one of the most poignant scenes from Italian literature. In this scene, we witness the salvation of Buonaconte da Montefeltro, a nobleman who was condemned to Purgatory for his sins. Flaxman masterfully depicts Buonaconte being lifted from his torment by an angelic figure bathed in divine light. The intensity of emotion on Buonaconte's face reflects both relief and gratitude as he experiences redemption. Flaxman's interpretation beautifully conveys the spiritual journey depicted in Dante's work. The intricate engravings highlight every nuance of expression and gesture, capturing the essence of each character and their place within this profound narrative. This print not only pays homage to Dante Alighieri but also serves as a testament to Flaxman's artistic prowess. It invites viewers into a world where poetry meets visual artistry, allowing them to immerse themselves in the rich tapestry woven by these two great minds. As we gaze upon this remarkable piece, we are reminded of Italy's cultural heritage and its enduring influence on European art. Through its vivid imagery and symbolism, "The Deliverance of Buonaconte" speaks volumes about human nature, redemption, and
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