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Religious Ceremonies and Customs of all Peoples of the World (engraving)
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Religious Ceremonies and Customs of all Peoples of the World (engraving)
819089 Religious Ceremonies and Customs of all Peoples of the World (engraving) by English School, (19th century); Private Collection; (add.info.: Oriental divinities: Indra, the Hindu God of Light, Vaidic Period; and Cotama Budha, worshipped in Ceylon, Siam, China, and other parts of the east. Drawn and engraved by Andrew Thom. Published in Religious Ceremonies and Customs of all Peoples of the World, by Bernard Picart and Jean-Frederic Bernard, first appearing in ten volumes, between 1723 and 1743. Published by A Fullarton & Co, London & Edinburgh.); Look and Learn / Elgar Collection; English, out of copyright
Media ID 22226736
© Look and Learn / Elgar Collection / Bridgeman Images
Buddhas Buddhism Customs Elephants Gods Hinduism Indra Oriental Peoples Religious Ceremonies
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EDITORS COMMENTS
This engraving from the 19th century showcases a glimpse into the diverse religious ceremonies and customs practiced by people around the world. The print, titled "Religious Ceremonies and Customs of all Peoples of the World" captures two Oriental divinities in intricate detail. The first figure depicted is Indra, the Hindu God of Light during the Vaidic Period. Adorned with regal attire and surrounded by celestial elements, Indra exudes power and majesty. His presence symbolizes enlightenment and divine guidance for worshippers. Beside Indra stands Cotama Budha, a revered deity worshipped in various parts of Asia including Ceylon (now Sri Lanka), Siam (Thailand), China, and other eastern regions. This representation highlights the influence of Buddhism across different cultures. Cotama Budha's serene expression reflects inner peace and spiritual enlightenment that followers aspire to attain. Drawn and engraved by Andrew Thom for Bernard Picart and Jean-Frederic Bernard's monumental work on religious practices worldwide, this engraving offers a visual feast for art enthusiasts interested in exploring global traditions. Published between 1723-1743 in ten volumes, this comprehensive collection aimed to foster understanding among different faiths. Displayed against a backdrop adorned with elephants - symbols of wisdom - this artwork invites viewers to contemplate humanity's rich tapestry of beliefs while celebrating our shared fascination with spirituality. As we gaze upon these statuesque figures representing Hinduism and Buddhism side by side, we are
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