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The Fountain of the Lions, from the Hall of the Abencerrajes
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The Fountain of the Lions, from the Hall of the Abencerrajes
STC136068 The Fountain of the Lions, from the Hall of the Abencerrajes, from Sketches and Drawings of the Alhambra, engraved by William Gauci (fl.1825-54) (litho) by Lewis, John Frederick (1805-76) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22346526
© The Stapleton Collection / Bridgeman Images
Chatting Courtyard Islamic Architecture Moorish Talking Court Of The Lions Sketch Pad Watercourse
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The Fountain of the Lions - A Majestic Oasis in the Heart of Alhambra
EDITORS COMMENTS
. This print showcases "The Fountain of the Lions" from the Hall of the Abencerrajes, a true masterpiece within the enchanting Alhambra palace complex. The image captures an exquisite moment frozen in time, revealing intricate details carved by skilled artisans under Muhammad V's reign during the 14th century. At first glance, one is immediately drawn to twelve magnificent marble lions that form a polygonal basin. These regal creatures appear lifelike and poised as if ready to spring into action. Each lion symbolizes strength and power while simultaneously exuding elegance and grace. Surrounded by arches adorned with delicate carvings, this fountain stands as a testament to Islamic architecture at its finest. The courtyard itself is steeped in history and whispers tales of courtly conversations held within its walls. It was here that important figures would gather for discussions amidst soothing sounds of water flowing through meticulously designed channels. As we gaze upon this engraving brought to life by William Gauci, we are transported back in time to experience firsthand the beauty and grandeur that once graced these hallowed grounds. This print serves as a window into an era where artistry flourished alongside intellectual exchange – where every stroke on paper captured not just physical forms but also emotions and stories untold. In this private collection, preserved for generations to come, we can appreciate how John Frederick Lewis skillfully immortalized this
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