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"Madone aux cerises"Peinture de Giovan Pietro Rizzoli (Ricci ou Rizzi) dit Giampietrino (actif entre 1508 et 1549) Collection privee

'Madone aux cerises'Peinture de Giovan Pietro Rizzoli (Ricci ou Rizzi) dit Giampietrino (actif entre 1508 et 1549) Collection privee


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"Madone aux cerises"Peinture de Giovan Pietro Rizzoli (Ricci ou Rizzi) dit Giampietrino (actif entre 1508 et 1549) Collection privee

FIA5398482 " Madone aux cerises" Peinture de Giovan Pietro Rizzoli (Ricci ou Rizzi) dit Giampietrino (actif entre 1508 et 1549) Collection privee by Giampietrino, Giovanni Pietro Rizzoli (fl.c.1495-1521); Private Collection; Photo © Fine Art Images

Media ID 25153324

© Fine Art Images / Bridgeman Images

Cherry Christanity Fruit Bowl Fruitbowl Blessed Virgin Cinquecento


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> Arts > Art Movements > Landscapes

> Arts > Art Movements > Renaissance Art

> Arts > Landscape paintings > Landscape art

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Realistic drawings > Landscape paintings > Fine art

> Europe > Italy > Paintings

> Europe > Italy > Posters

> Fine Art Finder > Artists > Giovanni Pietro Rizzoli Giampietrino

> Fine Art Finder > Artists > John Hassall

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Landscape painting during

> Historic > Renaissance art


EDITORS COMMENTS
The print titled "Madone aux cerises" captures a stunning painting by Giovan Pietro Rizzoli, also known as Giampietrino. This 16th-century masterpiece is part of a private collection and showcases the artist's incredible talent and attention to detail. In this artwork, we see the Blessed Virgin Mary holding baby Jesus in her arms. The composition is filled with vibrant colors, depicting a beautiful landscape in the background. The focal point of the painting is a bowl of cherries placed on a table next to Mary and Jesus, symbolizing both their innocence and the bounty of nature. Giampietrino's skillful use of color brings life to every element in the painting, from the delicate features of Mary's face to the folds in her clothing. The artist's mastery extends beyond religious iconography; he incorporates elements of botany and natural history into his work, showcasing his understanding of science during that era. This piece not only represents an important biblical scene but also serves as a testament to Italy's artistic heritage during the Renaissance period. It exemplifies how artists like Giampietrino explored various subjects while pushing boundaries within their craft. Overall, this print offers viewers an opportunity to appreciate both artistry and historical context through its depiction of religious devotion, botanical motifs, and scientific influences prevalent during that time period.

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