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Tracing of a wall painting from the South Wall, Upper Temple of the Jaguars Chichen Itza
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Tracing of a wall painting from the South Wall, Upper Temple of the Jaguars Chichen Itza
3473827 Tracing of a wall painting from the South Wall, Upper Temple of the Jaguars Chichen Itza, Mexico (w/c & bodycolour) by Breton, Adela (1850-1923); Bristol Museum and Art Gallery, UK; (add.info.: Tracing of a wall painting from the South Wall, Upper Temple of the Jaguars. Chichen Itza, Mexico.); eBristol Museums, Galleries & Archives; English, out of copyright
Media ID 22987152
© Bristol Museums, Galleries & Archives / Bridgeman Images
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EDITORS COMMENTS
This print showcases a tracing of a wall painting from the South Wall, Upper Temple of the Jaguars in Chichen Itza, Mexico. The artwork was created by Adela Breton (1850-1923) and is currently housed at the Bristol Museum and Art Gallery in the UK. The intricate details of this ancient mural come to life through the medium of watercolor and bodycolour. The vibrant colors and meticulous brushstrokes transport us back in time, allowing us to glimpse into the rich cultural heritage of Mexico. As we gaze upon this tracing, we are transported to Chichen Itza, one of Mexico's most renowned archaeological sites. The image captures a moment frozen in history - an exquisite piece of art that adorned the walls centuries ago. The subject matter remains enigmatic yet fascinating. We see jaguars depicted with precision and grace, their powerful presence emanating from every stroke. These majestic creatures were revered by ancient civilizations for their strength and symbolism. Breton's talent as an artist shines through her ability to capture not only the physical attributes but also the spiritual essence behind these magnificent felines. Through her work, she pays homage to both Mexican culture and its archaeological wonders. This print serves as a reminder that art has no boundaries; it transcends time and space, connecting us with our past while inspiring future generations to appreciate beauty in all its forms.
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