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A Study for King Cophetua and the Beggar Maid
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A Study for King Cophetua and the Beggar Maid
828412 A Study for King Cophetua and the Beggar Maid, (black chalk heightened with white on grey paper) by Burne-Jones, Edward Coley (1833-98); 35x25.4 cm; Private Collection; (add.info.: A Study for King Cophetua and the Beggar Maid. Edward Burne-Jones (1833-1898). Black chalk heightened with white on grey paper. 35 x 25.4cm.); Photo eChristies Images; English, out of copyright
Media ID 22740366
© Christie's Images / Bridgeman Images
Behaviour Black Chalk Bobbed Hair British Art Brown Hair Brunette Burne Jones Burne Jones Edward 1833 98 Bust Length Chalk Dark Hair Edward Burne Jones Edward Coley Burne Jones English Art English Artist Etude Eyes Closed Facial Expression Girl Alone Good Looking Grey Paper Heightened Heightening Looking Down Middle Parting Modest Modesty Mounted On Paper On Paper One Girl Only Pre Raphaelite Art Pretty Quarter Length Raphaelite Short Hair Shyness Sir Edward Burne Jones Sir Edward Coley Burne Jones Studies Temperament Timid Victorian Art Victorian Pictures Artist British British Artist Ethnic Origin Hair Style Portrait Style Portraiture Positive Concepts Pre Raphaelite
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A Study for King Cophetua and the Beggar Maid
EDITORS COMMENTS
is a captivating print that showcases Edward Burne-Jones' exceptional artistic talent. This black chalk drawing, heightened with white on grey paper, measures 35x25.4 cm and belongs to a private collection. The portrait style of this nineteenth-century British artwork focuses on a young girl alone in her thoughts. With quarter length framing, she exudes an air of shyness and modesty, her brown hair cascading around her shoulders in a Victorian fashion. The artist's meticulous attention to detail is evident in the fine art rendering of every strand. This study captures the essence of human expression through its depiction of the girl looking down with closed eyes, evoking both introspection and vulnerability. The use of black chalk creates depth and texture while heightening certain features such as her dark hair and delicate facial features. Burne-Jones was known for his association with the Pre-Raphaelite movement, characterized by its focus on beauty, nature, and medieval themes. In "A Study for King Cophetua and the Beggar Maid" he explores concepts of social hierarchy through the story depicted in his final painting. This late nineteenth-century artwork exemplifies British art at its finest, showcasing not only technical skill but also emotional depth. Its timeless beauty continues to captivate viewers today as it invites us into a world where portraiture becomes a window into one's soul.
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