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A view of part of the Tomb of the Emperor Akbar at Secundru, 1785-88 (coloured aquatint)
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A view of part of the Tomb of the Emperor Akbar at Secundru, 1785-88 (coloured aquatint)
STC468955 A view of part of the Tomb of the Emperor Akbar at Secundru, 1785-88 (coloured aquatint) by Hodges, William (1744-97); Private Collection; (add.info.: Jalal-ud-Din Muhammad Akbar (1542-1605), third Mughal Emperor; Tomb at Sikandra, near Agra; From Select Views in India, reproducing drawings made by Hodges during travels, 1780-83; ); The Stapleton Collection; English, out of copyright
Media ID 22406884
© The Stapleton Collection / Bridgeman Images
Agra Funerary Landmark Mausoleum Mughal Empire Orientalism Orientalist Emperor Akbar Sikandra
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EDITORS COMMENTS
This coloured aquatint print showcases a mesmerizing view of the Tomb of the Emperor Akbar at Secundru, captured by the talented artist William Hodges between 1785 and 1788. The tomb, located near Agra in India, is a testament to the grandeur and architectural brilliance of the Mughal Empire. The image transports us to this historical site, allowing us to marvel at its intricate design and majestic presence. The tomb's imposing structure stands tall against a backdrop of lush greenery, evoking a sense of awe and reverence. It serves as a poignant reminder of Emperor Akbar's legacy and his significant contributions during his reign from 1542 to 1605. Hodges' meticulous attention to detail brings out the beauty in every element - from the ornate carvings adorning the walls to the delicate arches that grace its entrance. This print is part of Hodges' larger collection titled "Select Views in India" which documents his travels throughout India between 1780 and 1783. As we gaze upon this stunning piece, we are transported back in time, immersing ourselves in an era filled with rich history and cultural significance. It serves as both an artistic masterpiece and a valuable historical record for future generations to appreciate. This print truly captures not only the architectural splendor but also embodies our fascination with orientalism and Asian culture.
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