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Odontoglossom Grande, c. 1837-1843 (hand-coloured lithograph)
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Odontoglossom Grande, c. 1837-1843 (hand-coloured lithograph)
985684 Odontoglossom Grande, c.1837-1843 (hand-coloured lithograph) by Drake, Sarah Ann (1803-57) (after); 72.9x53.1 cm; Private Collection; (add.info.: Odontoglossom Grande. Plate 24 from the book The Orchidaceae of Mexico & Guatemala by James Bateman. Maxim Gauci (1774-1854) after Sarah Ann Drake (1803-1857). Hand-coloured lithograph. Published circa 1837-1843. 72.9 x 53.1cm (folio).); Photo eChristies Images; English, out of copyright
Media ID 22202784
© Christie's Images / Bridgeman Images
1830s 1837 1840s 1843 Biology Botanic Botanica Brown Brown Colour Drake Early 19th Century Early Nineteenth Century English Art English Artist Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Leafed Leafy Lithographic Lithoprint Mid 19th Century Mid Nineteenth Century Orchidaceae Plant Part Plate Prints Roots Yellow Artist British British Artist Gauci James Bateman Maxim Gauci
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EDITORS COMMENTS
This hand-coloured lithograph, titled "Odontoglossom Grande" transports us back to the early 19th century with its exquisite detail and vibrant hues. Created by British artist Sarah Ann Drake in collaboration with James Bateman, this print is a testament to their mastery of botanical illustration. Measuring at an impressive 72.9x53.1 cm, the artwork showcases a close-up view of the Odontoglossom Grande orchid species found in Mexico and Guatemala. The meticulous rendering of each leaf and petal brings forth a sense of realism that captivates the viewer's gaze. The use of hand colouring adds depth and richness to the image, enhancing our appreciation for nature's intricate beauty. The warm brown tones complemented by subtle yellow accents create a harmonious palette that evokes a sense of tranquility. As we delve into this piece, we are reminded not only of its artistic value but also its scientific significance. This lithograph serves as an invaluable resource for botanists and biologists alike, offering detailed insights into plant anatomy during the mid-19th century. Preserved within private collections today, this print continues to inspire awe and admiration for both art enthusiasts and naturalists alike. Its enduring appeal lies in its ability to seamlessly blend artistry with scientific accuracy – truly encapsulating the spirit of exploration prevalent during this era. Through Bridgeman Images' preservation efforts, we can now appreciate this remarkable work from English art history – an emblematic representation of botanical illustration at its finest.
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