Votaries of the Weed No 12 (colour litho)

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Votaries of the Weed No 12 (colour litho)

8660502 Votaries of the Weed No 12 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info.: Votaries of the Weed, No 12. The Thespian, especially during a period of compulsory "resting," is a confirmed, though somewhat gloomy cigarette smoker. "To think, dear boy, that it should come to this! Unshopped for ages! Yet when I played Fags, the demon Tobacconist in "The Smoke of London," the house fairly rose at me! There are no actor-r-rs nowadays-only actor-managers and puppies! Could you-eh? half-a-crown-till Saturday? No? Well, a cigarette, dear boy? Ta! Richard's himself again!" Illustration for one of a set of cigarette cards with the title Votaries of the Weed, issued by Gallaher in 1916.); © Look and Learn

Media ID 38496406

© © Look and Learn / Bridgeman Images

Cigaret Cigarette Cigarettes Pensive Pipe Smoking Smoker Smokers Smoking Addiction Smoking Cigarette Thought Tobacco Tobacco Box Tobacco Packet Tobacco Product 1900 1910 Years 10 10s 1910 1919 Years 10 10s Thinking Years 1910 Years 10 Years Ten

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EDITORS COMMENTS
This vibrant and humorous colour lithograph, titled Votaries of the Weed No 12 by Joseph Clayton Clarke (Kyd), captures a scene from the early 20th century England. The illustration depicts "The Thespian," a character who is portrayed as a gloomy cigarette smoker during a period of compulsory "resting." The Thespian laments the lack of appreciation for his talent in modern times, reminiscing about past successes on stage. The detailed artwork showcases the actor's expressive face and body language, conveying his disappointment and resignation with a touch of humor. The use of bright colours and intricate details brings the scene to life, inviting viewers to step into this nostalgic moment from history. Originally created as part of a set of cigarette cards issued by Gallaher in 1916, this print offers a glimpse into the cultural attitudes towards smoking addiction and tobacco consumption during that era. Despite its commercial origins, this artwork now stands as a valuable piece of art history, capturing both the charm and melancholy of an actor's life in early 20th century England.

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