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The Successful Fortune Hunter, Or Captain Shelalee leading Miss Marrowfat to the temple of hymen, after Thomas Rowlandson, 1802. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs, published 1909
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The Successful Fortune Hunter, Or Captain Shelalee leading Miss Marrowfat to the temple of hymen, after Thomas Rowlandson, 1802. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs, published 1909
1000889 The Successful Fortune Hunter, Or Captain Shelalee leading Miss Marrowfat to the temple of hymen, after Thomas Rowlandson, 1802. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs, published 1909.; Private Collection
Media ID 38372890
© Bridgeman Images
1802 Captain Fortune Heartless Hymen Leading Miss Rowlandson Seduced Seduction Successful Thomas
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EDITORS COMMENTS
This print captures the satirical and scandalous scene of The Successful Fortune Hunter, Or Captain Shelalee leading Miss Marrowfat to the temple of hymen. Painted by Thomas Rowlandson in 1802, this illustration is a humorous yet poignant commentary on love, seduction, and societal expectations in the 19th century.
Captain Shelalee is depicted as a heartless and cunning man, successfully seducing the young and naive Miss Marrowfat. As they make their way to the temple of hymen, one can't help but feel a sense of foreboding for what lies ahead for these two characters.
The intricate details and expressive faces in this print bring to life the complexities of romance and relationships during this time period. It serves as a reminder that love was often intertwined with manipulation and deceit in an era where social status and wealth held great importance.
Eduard Fuchs' publication in 1909 further immortalizes this piece of art, preserving it for future generations to appreciate. The blend of caricatured figures and romantic undertones makes this print both visually striking and intellectually stimulating.
Overall, The Successful Fortune Hunter is not just a simple depiction of two individuals on their way to marriage; it's a reflection on human nature itself - our desires, our flaws, and our endless pursuit of love.
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