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Artwork by Honore Daumier (1808-1879). Charivari dates back to 1845
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Artwork by Honore Daumier (1808-1879). Charivari dates back to 1845
JEB4851904 Artwork by Honore Daumier (1808-1879). Charivari dates back to 1845: Serie PASTORALES " How good we are to have such a fear... " I thought he was my husband!" MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE by Daumier, Honore (1808-79); Palais de Longchamp, Marseille, France; (add.info.: Artwork by Honore Daumier (1808-1879). Charivari dates back to 1845: Serie PASTORALES " How good we are to have such a fear... " I thought he was my husband!" MUSEUM OF FINE ARTS - PALACE LONGCHAMP, MARSEILLE); eJean Bernard; French, out of copyright
Media ID 22534494
© Jean Bernard / Bridgeman Images
1808 1879 Adultere Daumier Honore 1808 1879 Infidelite Scarecrow Jeanbernard
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EDITORS COMMENTS
This print showcases an artwork by the renowned French artist Honore Daumier, dating back to 1845. Titled "Charivari dates back to 1845: Serie PASTORALES" the piece depicts a humorous scene that unfolds in the picturesque setting of Palais de Longchamp in Marseille, France. In this comical caricature, Daumier captures a moment of mistaken identity and infidelity. The caption reads, "How good we are to have such a fear. . . I thought he was my husband!". A couple is depicted amidst a campaign against adultery, with one partner mistaking another person for their spouse. The use of scarecrow imagery adds an element of whimsy and exaggeration to the scene. Displayed at the Museum of Fine Arts - Palace Longchamp in Marseille, this artwork exemplifies Daumier's mastery as an engraver and his ability to convey social commentary through satire. His unique style combines intricate details with bold strokes, creating a visually striking composition. The photograph itself is taken by Jean Bernard and represents an important part of art history. It offers viewers a glimpse into Daumier's artistic genius while also highlighting societal issues prevalent during his time. This print serves as both a testament to Daumier's talent and a reminder of how art can reflect and critique society across different eras.
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