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Cover of "Les Hommes du jour", number 10, 1908

Cover of 'Les Hommes du jour', number 10, 1908


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Cover of "Les Hommes du jour", number 10, 1908

ICA4931928 Cover of " Les Hommes du jour", number 10, 1908, Satirique en N & B: Emile Combes (1835-1921) - Anticlericalism, Religion - Failure of the Church - Combes Emile, Ravens - Illustration by Aristide Delannoy (1874-1911) by Delannoy, Aristide (1874-1911); (add.info.: Cover of " Les Hommes du jour", number 10, 1908, Satirique en N & B: Emile Combes (1835-1921) - Anticlericalism, Religion - Failure of the Church - Combes Emile, Ravens - Illustration by Aristide Delannoy (1874-1911)); Photo eCaricadoc; French, out of copyright

Media ID 23344138

© Caricadoc / Bridgeman Images

Choseification Raven Reification Scarecrow A Journal Caricadoc Journalism Newspapers


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EDITORS COMMENTS
The captivating print showcases the cover of "Les Hommes du jour", number 10, from 1908. This satirical black and white illustration by Aristide Delannoy depicts Emile Combes (1835-1921), a prominent figure known for his anticlericalism and criticism of religion. The artwork brilliantly captures the failure of the Church, with ravens symbolizing its demise. Delannoy's skillful engraving portrays Combes as a scarecrow-like figure, emphasizing his role in challenging religious authority. The artist's attention to detail is evident in every stroke, bringing this political caricature to life. This image offers a fascinating glimpse into French society during the early 20th century. It reflects the prevailing sentiments towards religion and government at that time. Through clever visual storytelling, it highlights both societal tensions and political commentary. The inclusion of this artwork in "Les Hommes du jour" demonstrates its significance as a platform for critical journalism. Newspapers played an essential role in shaping public opinion during this era, making them powerful tools for social change. Overall, this print serves as a historical artifact that encapsulates not only the artistic talent of Aristide Delannoy but also provides valuable insights into France's cultural and political landscape during the late 19th and early 20th centuries.

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