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Illustration of Ricardo Flores (1878-1918) in Le Rire, 05 / 10 / 12 - Chez le coiffeur
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Illustration of Ricardo Flores (1878-1918) in Le Rire, 05 / 10 / 12 - Chez le coiffeur
ICA4865272 Illustration of Ricardo Flores (1878-1918) in Le Rire, 05/10/12 - Chez le coiffeur - Paris, Metiers, Architecture Urbanisme, Pont, Riviere Fleuve - Dog, Hairdresser by Flores, Ricardo (1878-1918); (add.info.: Illustration of Ricardo Flores (1878-1918) in Le Rire, 05/10/12 - Chez le coiffeur - Paris, Metiers, Architecture Urbanisme, Pont, Riviere Fleuve - Dog, Hairdresser); Photo eCaricadoc; French, out of copyright
Media ID 22289326
© Caricadoc / Bridgeman Images
Groomer Hairdresser Hygiene Seine Street Trade Caricadoc Metier
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EDITORS COMMENTS
This print showcases an intriguing illustration of Ricardo Flores (1878-1918) in Le Rire, a popular French satirical magazine. The image titled "Chez le coiffeur" transports us to the bustling streets of Paris, where we witness a unique scene unfold. In this lively depiction, we see Ricardo Flores, a renowned artist of his time, sitting comfortably in a barber's chair. He is surrounded by the vibrant atmosphere of the city as people go about their daily lives. A dog stands nearby, adding an element of charm and playfulness to the composition. The artwork beautifully captures the essence of early 20th-century Parisian life with its intricate details. The architecture and urban landscape form a picturesque backdrop that includes a bridge spanning over the serene river Seine. As we delve deeper into this illustration, it becomes evident that it not only portrays everyday scenes but also highlights various aspects of society at that time. It sheds light on street trades such as hairdressing while subtly touching upon themes like hygiene and population dynamics. This stunning print serves as both an artistic masterpiece and historical documentation. Its timeless appeal allows us to appreciate the craftsmanship behind Ricardo Flores' work while providing valuable insights into early 20th-century France.
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