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Koelpinia Linearis. 1929 (photogravure)
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Koelpinia Linearis. 1929 (photogravure)
2560243 Koelpinia Linearis. 1929 (photogravure) by Blossfeldt, Karl (1865-1932); Private Collection; (add.info.: Karl Blossfeldt (1865 - 1932) was a German photographer, sculptor, teacher, and artist who worked in Berlin, Germany. He is best known for his close-up photographs of plants and living things, published in 1929 as, Urformen der Kunst. He was inspired, as was his father, by nature and the way in which plants grow. He believed that the plant must be valued as a totally artistic and architectural structure.
); Prismatic Pictures; German, out of copyright
Media ID 22260286
© Prismatic Pictures / Bridgeman Images
Capsule Detailed Form Image Intricate Living Macro Patterned Patterns Photographic Photogravure Picture Pods Sculptural Seed Seeds Structural Unusual Linearis Seed Head
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This print titled "Koelpinia Linearis. 1929" by Karl Blossfeldt showcases the intricate beauty of nature in stunning detail. Blossfeldt, a renowned German photographer and artist, dedicated his life to capturing the artistic essence of plants and living things. In this particular image, we are presented with a close-up view of seeds and pods that form an extraordinary patterned structure. The photograph allows us to appreciate the architectural quality of these natural elements, revealing their sculptural beauty. Blossfeldt's meticulous attention to detail is evident as he explores the unique forms and textures found within nature. Each seed head and capsule is meticulously captured, highlighting their delicate features in a way that feels almost otherworldly. The vintage aesthetic adds a sense of nostalgia to this piece, reminding us of the timeless allure found in botanical photography. It serves as a reminder that even in our modern world filled with technological advancements, there is still immense value in studying and appreciating the wonders of the natural world. This photogravure print invites viewers into a realm where artistry meets science—a testament to Blossfeldt's belief that plants should be regarded not only for their biological significance but also for their inherent artistic qualities.
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