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White-Handed Gibbon, 1824 (colour litho)

White-Handed Gibbon, 1824 (colour litho)


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White-Handed Gibbon, 1824 (colour litho)

1001766 White-Handed Gibbon, 1824 (colour litho) by Brodtmann, Karl Joseph (1787-1862); Private Collection; (add.info.: A Naturgeschichte und Abbildungen der SAaugethiereA, 1824, published by Heinrich Rudolf Schinz (1777-1861)
Schwarzer Gibbon, Grauer Gibbon, Affen, Illustration, Tiere, SAaugetiere, Affen
Hylobates lar, Hylobates moloch); ePurix Verlag Volker Christen; Swiss, out of copyright

Media ID 22248648

© Purix Verlag Volker Christen / Bridgeman Images

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> Animals > Mammals > Gibbon

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EDITORS COMMENTS
This print showcases the exquisite beauty of a White-Handed Gibbon, captured in 1824 by the talented artist Karl Joseph Brodtmann. The lithograph, filled with vibrant colors and intricate details, transports us to a world where nature's wonders come alive. The White-Handed Gibbon is depicted gracefully perched on a branch, its slender body adorned with lustrous white fur contrasting against its dark face and limbs. Its expressive eyes seem to gaze into our souls, evoking a sense of curiosity and intelligence that is characteristic of these remarkable creatures. Brodtmann's artistic skill brings this enchanting primate to life, showcasing every fine hair and delicate feature. This particular lithograph was published as part of Heinrich Rudolf Schinz's "Naturgeschichte und Abbildungen der Säugethiere" (Natural History and Illustrations of Mammals) in 1824. As we admire this stunning artwork, we are reminded of the incredible diversity found within the animal kingdom. The White-Handed Gibbon belongs to the Hylobates lar species or commonly known as Javan gibbons. These arboreal primates are known for their acrobatic abilities and hauntingly beautiful songs that echo through dense rainforests. This timeless masterpiece serves as both an aesthetic delight and an educational tool, allowing us to appreciate the intricate beauty of nature while deepening our understanding of these fascinating creatures. It stands as a testament to Brodtmann

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