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Trois femmes (Three Girls). Les trois ont le crane chauve, vetues d une jupe droite et d un gilet boutonne. Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur bois, 1928-1932

Trois femmes (Three Girls). Les trois ont le crane chauve, vetues d une jupe droite et d un gilet boutonne. Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur bois, 1928-1932


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Trois femmes (Three Girls). Les trois ont le crane chauve, vetues d une jupe droite et d un gilet boutonne. Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur bois, 1928-1932

FIA5326830 Trois femmes (Three Girls). Les trois ont le crane chauve, vetues d une jupe droite et d un gilet boutonne. Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur bois, 1928-1932. Art russe, 20e siecle, avant garde, suprematisme, constructivisme. State Russian Museum, Saint Petersbourg. by Malevich, Kazimir Severinovich (1878-1935); State Russian Museum, St. Petersburg, Russia; Photo © Fine Art Images

Media ID 24743232

© Fine Art Images / Bridgeman Images

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EDITORS COMMENTS
This print showcases Kasimir Severinovich Malevitch's iconic painting, "Trois femmes (Three Girls)". The three women depicted in the artwork are all bald, dressed in a straight skirt and buttoned vest. Created between 1928-1932, this oil on wood masterpiece is a testament to Malevitch's avant-garde style and his contributions to the Russian art movement. The image captures the essence of early 20th-century Russian art with its bold use of colors and geometric shapes. Malevitch was known for his involvement in both suprematism and constructivism, which can be seen through the abstract forms present in this piece. Displayed at the State Russian Museum in Saint Petersburg, this painting exemplifies Female Assistant:the artist's ability to evoke emotion through simplicity. The women's expressions convey a range of emotions - from contemplation to joy - while their surroundings remain minimalistic. As we gaze upon these enigmatic figures, one cannot help but wonder about their stories. Are they sisters? Friends? Or perhaps symbolic representations of female strength? Malevitch's "Trois femmes" invites us into a world where beauty lies not only in physical appearance but also within each woman's unique character. This thought-provoking artwork challenges traditional notions of femininity while celebrating individuality. Through this print by Bridgeman Images, we are reminded that art has the power to transcend time and cultural boundaries – leaving an indelible mark on our collective

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Related Images


Couple in a Landscape (recto) Pferd and Karren (verso), 1919
Couple in a Landscape (recto) Pferd and Karren (verso), 1919
Deux figures masculines (Two male Figures). Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur toile, 1928-1932. Art russe, 20e siecle, avant garde, suprematisme, constructivisme
Deux figures masculines (Two male Figures). Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur toile, 1928-1932. Art russe, 20e siecle, avant garde, suprematisme, constructivisme
Sportifs (Sportsmen). Qatre hommes portrant des tenues de sport tres colorees. Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur toile, 1928-1932. Art russe, avant garde, 20e siecle, suprematisme, constructivisme
Sportifs (Sportsmen). Qatre hommes portrant des tenues de sport tres colorees. Peinture de Kasimir Severinovich Malevitch (Malevich, Malevic) (1878-1935), huile sur toile, 1928-1932. Art russe, avant garde, 20e siecle, suprematisme, constructivisme
Self-Portrait II, 1944 (oil on canvas, adhered to cardboard)
Self-Portrait II, 1944 (oil on canvas, adhered to cardboard)

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