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The Annunciation and The Visitation, two paintings constituting an altarpiece
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The Annunciation and The Visitation, two paintings constituting an altarpiece
JFS81262 The Annunciation and The Visitation, two paintings constituting an altarpiece, 1530-35 (for details see 81263 & 81264) by Lotto, Lorenzo (c.1480-1556); Annunciati cm; Pinacoteca Civica, Comune di Jesi, Venice, Italy; eJohn Ferro Sims; Italian, out of copyright
Media ID 22683320
© John Ferro Sims / Bridgeman Images
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EDITORS COMMENTS
This print showcases "The Annunciation and The Visitation" two exquisite paintings that form an altarpiece created by the renowned artist Lorenzo Lotto between 1530-35. The altarpiece, now housed in the Pinacoteca Civica of Jesi in Venice, Italy, is a true masterpiece of the Renaissance era. In this image, we are transported to a world of divine beauty and spiritual significance. The painting on the left depicts "The Annunciation" capturing the moment when Archangel Gabriel appears before the Virgin Mary to announce her role as the mother of Jesus Christ. With delicate brushstrokes and vibrant colors, Lotto skillfully conveys both awe and humility in this sacred encounter. On the right side of this altarpiece lies "The Visitation". Here, we witness Mary's visitation to her cousin Elizabeth after learning about their miraculous pregnancies. This scene radiates warmth and tenderness as these two expectant mothers embrace one another with joyous anticipation. Lotto's attention to detail is evident throughout both paintings; from intricate patterns adorning garments to meticulously rendered facial expressions that convey deep emotions. As we gaze upon this photo print, we are reminded of how art has long served as a powerful medium for storytelling and evoking profound spiritual connections. Capturing these timeless masterpieces through his lens, John Ferro Sims invites us into a world where faith intersects with artistic brilliance. Through his photography skills, he allows us to appreciate every nuance and intricacy within these
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