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The Offering, c. 1875 (oil on panel)
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The Offering, c. 1875 (oil on panel)
827067 The Offering, c.1875 (oil on panel) by Monticelli, Adolphe Joseph Thomas (1824-86); 44.5x64.2 cm; Private Collection; (add.info.: The Offering. Adolphe Joseph Thomas Monticelli (1824-1886). Oil on panel. Painted circa 1875. 44.5 x 64.2cm.); Photo eChristies Images; French, out of copyright
Media ID 22226134
© Christie's Images / Bridgeman Images
1870s 1875 Courtyard Faceless Giving Grounds Large Group Offering Offerings Romantic Art Romantic Era Romanticism Touching Two Animals Unrecognisable Using Hands 19th Century European Art Adolphe Joseph Thomas Monticelli Adolphe Monticelli Artist French Ethnic Origin French Art French Artist Monticelli Youthful
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The Offering, c. 1875
EDITORS COMMENTS
is a captivating oil painting by Adolphe Joseph Thomas Monticelli that beautifully captures the essence of the late nineteenth century French art. The scene depicts a large group of people gathered in an outdoor courtyard, surrounded by lush grounds and bathed in gentle daylight. At the center of attention stands a young woman, her faceless figure emanating an air of mystery and intrigue. Monticelli's masterful brushstrokes bring to life this romantic era artwork, showcasing his skill in capturing human emotion and posture. The composition also includes two animals - a dog and a mammal - adding to the lively atmosphere of the scene. The focal point of "The Offering" is undoubtedly the young boy standing before the woman, extending his hands as if presenting something precious or symbolic. His youthful innocence contrasts with the more mature figures surrounding him, creating a sense of harmony within diversity. This particular print showcases Monticelli's talent for using vibrant colors and expressive techniques on panel canvas measuring 44.5 x 64.2cm. It belongs to a private collection but has been made available for public appreciation through eChristies Images. "The Offering" invites viewers into a world where artistry meets everyday life, evoking curiosity about what lies behind each faceless figure present in this enchanting tableau from nineteenth-century France.
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