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Cover of "L Assiette au Beurre", number 199, Satirique en Couleurs, 1905_2_11: Bebes ministres - Ministere - Combes Emile (1835-1921), Rouvier Maurice (1842-1911) (lithograph)
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Cover of "L Assiette au Beurre", number 199, Satirique en Couleurs, 1905_2_11: Bebes ministres - Ministere - Combes Emile (1835-1921), Rouvier Maurice (1842-1911) (lithograph)
ICA4901086 Cover of " L Assiette au Beurre", number 199, Satirique en Couleurs, 1905_2_11: Bebes ministres - Ministere - Combes Emile (1835-1921), Rouvier Maurice (1842-1911) (lithograph) by Camara, Leal de (1877-1948); (add.info.: Cover of L Plate au beurre, number 199, Satirique en Couleurs, 1905_2_11: Bebes ministres - Ministere - Combes Emile (1835-1921), Rouvier Maurice (1842-1911) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25156930
© Caricadoc / Bridgeman Images
Infantilisation Marionette Puppeteer Reification A Journal Caricadoc
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This lithograph from 1905 titled "Cover of L'Assiette au Beurre, number 199: Bebes ministres - Ministere" showcases the satirical genius of Leal de Camara. The artwork depicts two prominent French statesmen, Emile Combes and Maurice Rouvier, as infant ministers manipulated by unseen puppeteers. The image is a powerful commentary on the state of government and politics in early 20th century France. Through clever caricature and sharp wit, Camara exposes the perceived lack of agency and autonomy among these influential figures. The marionette strings symbolize their manipulation by hidden forces or perhaps even their own incompetence. Camara's use of color adds depth to the composition, drawing attention to the exaggerated facial expressions and gestures that further emphasize the absurdity of these "bebe" ministers. The engraving technique employed enhances the details in each character's features while maintaining a sense of fluidity throughout. As a cover illustration for L'Assiette au Beurre, a popular satirical journal at the time, this print would have undoubtedly sparked conversations and debates among its readership. It serves as a reminder that political satire has long been an effective tool for critiquing those in power. This photograph print captures not only an important historical moment but also highlights how art can be used to challenge authority and provoke critical thinking about societal issues.
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