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Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi

Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi


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Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi

VEN5032889 Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi; (add.info.: Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca. 1490-1548) 16th century Rovigo, Accademia dei Concordi); © Marage Photos

Media ID 38274948

© © Marage Photos / Bridgeman Images

Apotre Benedictin Benedictine Enfance Enfant Italie Jeunesse Ordre Religieux Saint Benedict Saint Jerome Saint Paul Stockravenna Vierge Marie Biblical Charcter Biblical Figure Cinquecento Peinture


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EDITORS COMMENTS
This stunning 16th-century painting by Battista Dossi captures the timeless beauty and grace of Madonna and Child on the throne, surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino, and Saint Paul. The intricate details and vibrant colors bring this religious scene to life, showcasing the skill and talent of the artist. Each figure in the painting exudes a sense of holiness and devotion, with their expressions conveying deep reverence for the divine mother and child. The composition is balanced and harmonious, drawing the viewer's eye to the central figures while also allowing each saint to shine in their own right. The rich history behind this piece adds another layer of depth to its beauty. Painted in Rovigo during the Italian Renaissance period, it reflects both religious fervor and artistic innovation that defined that era. The Accademia dei Concordi where this masterpiece resides is a testament to Italy's cultural heritage. As we gaze upon this exquisite artwork, we are reminded of the enduring power of faith and love depicted in Madonna's tender embrace of her son. It serves as a timeless reminder of spiritual devotion and artistry that continues to inspire awe centuries later.

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