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Ms Hunter 252 f. 133v Meal, from Les Cent Nouvelles Nouvelles, 1462 (vellum)

Ms Hunter 252 f. 133v Meal, from Les Cent Nouvelles Nouvelles, 1462 (vellum)


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Ms Hunter 252 f. 133v Meal, from Les Cent Nouvelles Nouvelles, 1462 (vellum)

GUL174569 Ms Hunter 252 f.133v Meal, from Les Cent Nouvelles Nouvelles, 1462 (vellum) by French School, (15th century); Glasgow University Library, Scotland; (add.info.: A collection of burlesque and licentious tales told at the court of Philip the Good, Duke of Burgundy; this volume is the only surviving manuscript copy of the text; authorship of the work was traditionally ascribed to Antoine de la Sale (fl.1400-50), but this has now been discredited; authorship has also been ascribed to Philippe Pot, Seigneur de la Roche and Chamberlain to the Duke; ); eUniversity of Glasgow Library; French, out of copyright

Media ID 23222502

© University of Glasgow Library / Bridgeman Images

Frugal Hundred New Tales Dine


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> Arts > Art Movements > Medieval Art

> Europe > United Kingdom > Scotland > Glasgow

> Europe > United Kingdom > Scotland > Posters

> Europe > United Kingdom > Scotland > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow

> Fine Art Finder > Artists > French School

> Fine Art Finder > Manuscripts: Daily Life


EDITORS COMMENTS
This print showcases a mesmerizing scene from the 15th-century manuscript, Les Cent Nouvelles Nouvelles. Titled "Ms Hunter 252 f. 133v Meal" this vellum artwork offers a glimpse into the burlesque and licentious tales that were told at the court of Philip the Good, Duke of Burgundy. The image captures an intimate moment during a meal, where social dynamics and medieval customs come to life. A female figure is seated at a beautifully illuminated table, engrossed in her frugal yet satisfying repast. The intricate details of her surroundings transport us back in time as we witness this enchanting spectacle. Intriguingly, this particular volume is the sole surviving manuscript copy of its text, adding to its historical significance. While traditionally attributed to Antoine de la Sale, recent research has discredited his authorship and suggested Philippe Pot as another possible writer. Through this print by Bridgeman Images, we are granted access to an extraordinary world filled with storytelling and indulgence. It serves as a reminder of our rich cultural heritage and invites us to appreciate the artistry behind these ancient manuscripts.

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