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The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs (colour litho)

The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs (colour litho)


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The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs (colour litho)

3648258 The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs. Illustration for The Tomahawk, April 17 1869.); © Look and Learn

Media ID 22238628

© Look and Learn / Bridgeman Images

Church Of Ireland Disestablishment Goat Scapegoat Tomahawk Young Goat Caricatures


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The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs

EDITORS COMMENTS
is a captivating and thought-provoking colour lithograph by Matthew "Matt". Somerville. This nineteenth-century print, now part of a private collection, showcases the artist's talent for combining humour and political commentary. The image depicts an Irish scapegoat standing amidst several other animals on a farm. With its exaggerated features and comical expression, the goat represents Ireland as it bears the burden of numerous wrongs inflicted upon it. Through this satirical cartoon, Somerville highlights the injustices faced by the Irish people during that time. Published in The Tomahawk magazine in April 1869, this caricature reflects Britain's complex relationship with Ireland during the Victorian era. It touches upon themes such as disestablishment of the Church of Ireland and political tensions between Britain and Ireland. Somerville's skillful use of satire brings attention to these issues while providing comic relief through his humorous illustrations. The vibrant colours used in this lithograph further enhance its impact, making it visually striking and engaging for viewers. "The Scape-Goat of Ireland; or, The Shadow of a Hundred Wrongs" remains relevant even today as it serves as a reminder to reflect on historical injustices and strive for equality. This artwork stands as a testament to Matt Somerville's artistic prowess in capturing both social critique and entertainment within one compelling piece.

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