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Cover of "The Grelot", number 307, Satirique en Colours
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Cover of "The Grelot", number 307, Satirique en Colours
ICA4918856 Cover of " The Grelot", number 307, Satirique en Colours, 1877_2_25: For the unhappy please!!! - Anticlericalism, Teaching, Religion, Universite, Lyon - Cupidite/Avarice, Trunks of church, Teaching, opposing the people - Worker Worker - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " The Grelot", number 307, Satirique en Colours, 1877_2_25: For the unhappy please!!! - Anticlericalism, Teaching, Religion, Universite, Lyon - Cupidite/Avarice, Trunks of church, Teaching, opposing the people - Worker Worker - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright
Media ID 23718418
© Caricadoc / Bridgeman Images
Accordeon Avarice Beggar Charity Cupidite Donation Pauper Sign Street Musician A Journal Caricadoc Coin Journalism Laborer Newspapers
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EDITORS COMMENTS
This print showcases the cover of "The Grelot", number 307, Satirique en Colours. Created by Edouard Guillaumin (Pepin) in 1877, this illustration is a powerful depiction of societal issues prevalent during that time. The image portrays a scene filled with symbolism and social commentary. In the foreground, we see a Christian laborer playing an accordion while dressed as a beggar. This juxtaposition highlights the stark contrast between poverty and religion, suggesting that faith alone cannot alleviate suffering. Surrounding the musician are various elements representing different themes. Trunks of church symbolize greed and materialism within religious institutions, opposing the teachings meant to help people. A sign reading "For the unhappy please!!!" emphasizes the plea for charity and assistance from society. This satirical cartoon criticizes both religious hypocrisy and societal indifference towards those in need. It reflects on topics such as anticlericalism, teaching methods, religion's role in universities like Lyon, and worker exploitation. Through his intricate engraving technique, Pepin captures the essence of 19th-century France's socio-economic struggles. The image serves as a reminder of how wealth disparity can perpetuate injustice while urging viewers to reflect on their own contributions towards creating a more equitable society. Overall, this thought-provoking artwork invites us to question our values and consider how we can address these systemic issues for future generations.
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