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Island of Elephantine, Arabian Mountains on the Left, Assouan on the Right (engraving)

Island of Elephantine, Arabian Mountains on the Left, Assouan on the Right (engraving)


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Island of Elephantine, Arabian Mountains on the Left, Assouan on the Right (engraving)

1622467 Island of Elephantine, Arabian Mountains on the Left, Assouan on the Right (engraving) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info.: Island of Elephantine, Arabian Mountains on the Left, Assouan on the Right. Illustration for The Illustrated London News, 29 March 1884.
Montbard); Look and Learn / Illustrated Papers Collection

Media ID 23078546

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Assouan Aswan Left Loye Charles Auguste 1841 1905 Montbard G Montbard George


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EDITORS COMMENTS
This engraving, titled "Island of Elephantine, Arabian Mountains on the Left, Assouan on the Right" transports us to a mesmerizing landscape in Egypt. The print showcases the remarkable talent of Charles Auguste Loye, a French illustrator from Montbard. The scene unfolds with breathtaking beauty as we gaze upon the Island of Elephantine nestled amidst the Arabian Mountains. On the left side of this picturesque panorama, these majestic mountains rise proudly into the sky, their peaks reaching for eternity. To our right lies Assouan (also known as Aswan), a city that has stood witness to centuries of history and culture. Loye's attention to detail is evident in every stroke; he captures not only the physical features but also infuses life into his artwork. The intricate lines and shading bring depth and texture to each element portrayed. As we explore this enchanting composition further, it becomes clear that Loye intended to transport viewers back in time. This illustration was originally created for The Illustrated London News in 1884 when travel was limited and exotic destinations like Egypt were distant dreams for many. Now preserved within a private collection, this print allows us to experience an era long gone while appreciating Loye's artistic prowess. It serves as a reminder of how art can bridge gaps between cultures and transcend time itself.

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