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Bird-Man Pendant, c. 700-1550 (cast and hammered gold)
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Bird-Man Pendant, c. 700-1550 (cast and hammered gold)
XOS5872109 Bird-Man Pendant, c. 700-1550 (cast and hammered gold) by Mesoamerican; 7.6x6.7 cm; Cleveland Museum of Art, OH, USA; (add.info.: Western Panama, or DiquAis, Costa Rica, Veraguas-Gran ChiriquAi or DiquAis Style, 8th-16th Century); Cleveland Museum of Art, OH, USA; out of copyright
Media ID 23563888
© Cleveland Museum of Art, OH, USA / Bridgeman Images
Costa Rica Costa Rican Diquis Figurine Pre Columbian Precolumbian Statuette Treasure
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EDITORS COMMENTS
This print showcases the exquisite Bird-Man Pendant, a remarkable piece of Mesoamerican art dating back to the period between 700 and 1550. Crafted from cast and hammered gold, this pendant measures approximately 7.6x6.7 cm and is currently housed in the prestigious Cleveland Museum of Art in Ohio, USA. The intricate design of this pendant reflects the artistic mastery of its creators from Western Panama or DiquAis, Costa Rica. Belonging to the Veraguas-Gran ChiriquAi or DiquAis Style prevalent during the 8th to 16th centuries, it represents an ancient treasure that holds immense historical significance. Featuring a figurine-like sculpture, this golden masterpiece depicts a bird-human hybrid figure with awe-inspiring details. The meticulous craftsmanship brings out every feather on its wings and tail while capturing the human-like features with precision. As we admire this pre-Columbian artwork, we are transported back in time to an era where metalwork was highly valued for its beauty and symbolism. The gleaming gold serves as a testament to both the skillful hands that shaped it and the cultural importance attached to such adornments. Through this photograph by Bridgeman Images, we can appreciate not only the aesthetic appeal but also gain insight into ancient civilizations' beliefs and customs. This image preserves history within its frame while reminding us of humanity's enduring fascination with precious materials transformed into works of art.
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