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The Conquest of Mexico, Panel IV, c. 1696-1715 (paint on wood)
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The Conquest of Mexico, Panel IV, c. 1696-1715 (paint on wood)
7073245 The Conquest of Mexico, Panel IV, c.1696-1715 (paint on wood) by Gonzalez, Miguel (fl.1698); 52x100 cm; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; (add.info.: Captain CortA©ss soldiers work to build Villa Rica, and the Totonac Indians help them. Father Fray Bartolomede Olmedo preaches, and baptizes the eight Indian women that Cacique Gordo gave. Captain General CortA©s orders to overthrow the idols that were in the Zempoal village.); Spanish, out of copyright
Media ID 24132584
© Bridgeman Images
A Lot Of People American Indian Amerindian Aztec Aztecs Baptism Central America Conqueror Conquerors Conquistador Conquistadors Conversion Cortes Hernan 1485 1547 Czar Defeat Defeated Emperors Mesh Size Mexican Mexicans Mexico Mexico Mexican Sacrement Tsarina America Continent Empress Monks Religious Orders Several People Several Persons
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EDITORS COMMENTS
The Conquest of Mexico, Panel IV" is a captivating print that depicts the historical events surrounding the Spanish conquest of Mexico in the 16th century. Painted on wood by Miguel Gonzalez, this artwork measures 52x100 cm and is housed in the Museo Nacional de Bellas Artes in Buenos Aires, Argentina. In this panel, we witness Captain Cortés' soldiers diligently constructing Villa Rica with assistance from Totonac Indians. Father Fray Bartolomé Olmedo delivers a powerful sermon while baptizing eight Indian women generously offered by Cacique Gordo. Meanwhile, Captain General Cortés issues orders to dismantle and overthrow the idols present in Zempoal village. The painting showcases an array of elements characteristic of this tumultuous period: weapons wielded by soldiers, their armor protecting them as they work alongside indigenous people. The scene is bustling with activity as numerous individuals are engaged in various tasks. Religion plays a significant role as priests and monks are seen conducting religious ceremonies amidst the military operations. This juxtaposition highlights both spiritual conversion and territorial conquest taking place simultaneously. Gonzalez's use of color brings vibrancy to this historical narrative, capturing the essence of Aztec culture against a backdrop dominated by Spanish influence. "The Conquest of Mexico, Panel IV" serves as a visual testament to one chapter in history where different cultures collided and forever altered each other's destinies. It invites viewers to reflect upon themes such as power dynamics, cultural assimilation, and religious transformation that shaped not only Mexico but also North America during this era.
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