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Cellini being visited by king Francis I (litho)
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Cellini being visited by king Francis I (litho)
3091471 Cellini being visited by king Francis I (litho) by Tennant, C. Dudley (1867-1952); Private Collection; (add.info.: Cellini being visited by king Francis I. Illustration for Cassell's Romance of Famous Lives edited by Harold Wheeler (c 1930).); © Look and Learn
Media ID 31720404
© Look and Learn / Bridgeman Images
Benvenuto Cellini Charles Dudley Tennant Dudley 1867 1952 Dudley Tennant Francis I Goldsmith Tennant C
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EDITORS COMMENTS
The captivating litho print depicts a significant historical encounter between the renowned goldsmith Benvenuto Cellini and King Francis I of France. In this vivid illustration by C. Dudley Tennant, we witness the momentous visit as it unfolds before our eyes. The scene is filled with an air of grandeur and intrigue, transporting us back to a time when artistry and royalty converged. Cellini, known for his exceptional craftsmanship, stands tall in his workshop while being graciously received by King Francis I himself. The king's regal presence is evident as he gazes upon Cellini's masterpieces with admiration and curiosity. Their interaction symbolizes the intersection of artistic genius and royal patronage that flourished during the Renaissance period. Tennant skillfully captures every intricate detail in this engraving, from the ornate surroundings to the expressions on both men's faces. Through his meticulous strokes, he brings to life not only their physical appearances but also their shared passion for beauty and creativity. This litho print serves as a visual testament to the enduring legacy of these two influential figures in history – one a gifted artist who pushed boundaries in his craft, and the other a monarch who recognized and supported artistic excellence. It invites us to reflect on how art has always had the power to transcend time and connect individuals across different spheres of society. As we gaze at this remarkable artwork, we are reminded of Cellini's indelible mark on European art history and King Francis I's role as an enlightened patron
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