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Second national industrial exhibition at Ueno Park, 1881 (woodblock print)
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Second national industrial exhibition at Ueno Park, 1881 (woodblock print)
5895267 Second national industrial exhibition at Ueno Park, 1881 (woodblock print) by Utagawa Hiroshige III (1842-94); Private Collection; (add.info.: Right panel of triptych by the artist also known as Andō Tokubei set in the courtyard of the Tokyo Art Museum built by British Architect Josiah Conder (1852-1890) People in a mixture of traditional and western style attire stroll around the Shōjō Fountain (see also XOS 5672310 & 5895268))
Media ID 25152160
© Bridgeman Images
Courtyard East Eastern Europeans Foreign Foreigner Goldfish Japanese Print Tokyo Triptych Ukiyo E Ukiyoe Utagawa Visitors West Western Westernisation Yoko E Westernization
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EDITORS COMMENTS
This woodblock print, titled "Second national industrial exhibition at Ueno Park, 1881" transports us back to a significant moment in Japanese history. Created by the renowned artist Utagawa Hiroshige III, this print showcases the right panel of a larger triptych that captures the essence of cultural exchange and Western influence in Japan during the late 19th century. Set against the backdrop of Tokyo Art Museum's courtyard, designed by British architect Josiah Conder, this scene is alive with vibrant energy. People from all walks of life can be seen strolling around the Shōjō Fountain, adorned in a fascinating blend of traditional Japanese attire and Western-style clothing. The fusion between East and West is palpable as Europeans mingle with their Japanese counterparts. The attention to detail in this woodcut is remarkable; every figure tells its own story. As visitors explore the exhibition grounds filled with technological marvels and artistic wonders from both Eastern and Western cultures, one cannot help but feel captivated by this momentous occasion. With its intricate composition and skillful execution, this print serves as a testament to Japan's embrace of modernization while cherishing its rich heritage. It symbolizes an era marked by curiosity, exploration, and an eagerness to bridge gaps between different worlds – an invaluable piece capturing a pivotal chapter in Japan's history through artistry that transcends time.
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