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Gregoire I said the Great (532-604) and the souls of Purgatory. Painting by Dionisio Calvaert (1540-1619), Santa Maria del Suffragio, Imola, Italy
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Gregoire I said the Great (532-604) and the souls of Purgatory. Painting by Dionisio Calvaert (1540-1619), Santa Maria del Suffragio, Imola, Italy
VEN5027535 Gregoire I said the Great (532-604) and the souls of Purgatory. Painting by Dionisio Calvaert (1540-1619), Santa Maria del Suffragio, Imola, Italy; (add.info.: Gregoire I said the Great (532-604) and the souls of Purgatory. Painting by Dionisio Calvaert (1540-1619), Santa Maria del Suffragio, Imola, Italy); Photo © Marco Ravenna
Media ID 38425856
© Photo © Marco Ravenna / Bridgeman Images
6th 6th 6th Vi Vith Vith Century 6th Century Communion Eucharist Hell Host Purgatory Stockravenna
EDITORS COMMENTS
This stunning print captures the intricate painting by Dionisio Calvaert depicting Gregoire I, also known as Gregory the Great, surrounded by the souls of Purgatory. The scene is set in Santa Maria del Suffragio in Imola, Italy, showcasing the artist's skillful portrayal of religious figures and themes.
Gregory the Great was a prominent figure in Christianity during the 6th century, serving as Pope and making significant contributions to church doctrine and liturgy. In this painting, he is depicted with an angelic presence, overseeing the souls seeking redemption in Purgatory.
The detailed brushwork and rich colors used by Calvaert bring this spiritual scene to life, capturing a moment of divine intervention and salvation. The composition includes elements such as communion hosts and religious symbols that add depth to the narrative.
As viewers gaze upon this masterpiece through Marco Ravenna's lens, they are transported back in time to witness a powerful representation of faith and forgiveness. The fusion of artistry and spirituality creates a captivating visual experience that resonates with those who appreciate religious art from the Renaissance era.
This print serves as a window into a sacred realm where belief intersects with artistic expression, inviting contemplation on themes of salvation and grace. It stands as a testament to both Calvaert's talent as a painter and Gregory the Great's enduring legacy in Christian history.
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