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Madonna on the throne and saints. Painting by Girolamo Marchesi da Cotignola (1481-1550) 16th century Museo di San Francesco, Republic of San Marino
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Madonna on the throne and saints. Painting by Girolamo Marchesi da Cotignola (1481-1550) 16th century Museo di San Francesco, Republic of San Marino
VEN5032796 Madonna on the throne and saints. Painting by Girolamo Marchesi da Cotignola (1481-1550) 16th century Museo di San Francesco, Republic of San Marino.; (add.info.: Madonna on the throne and saints. Painting by Girolamo Marchesi da Cotignola (1481-1550) 16th century Museo di San Francesco, Republic of San Marino.); Photo © Marco Ravenna
Media ID 38478396
© © Marco Ravenna / Bridgeman Images
Saint John The Baptist Saint Mary Madeleine Stockravenna Strone Cinquecento
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EDITORS COMMENTS
This stunning 16th-century painting by Girolamo Marchesi da Cotignola captures the ethereal beauty of Madonna on the throne surrounded by saints. The intricate details and vibrant colors bring to life the religious significance of this piece, housed in the Museo di San Francesco in the Republic of San Marino.
Madonna sits regally on her throne, a symbol of grace and purity, while Saint John the Baptist, Jesus Christ, and Saint Mary Magdalene stand beside her in reverence. Each figure is meticulously rendered with delicate brushstrokes that highlight their divine presence.
The composition exudes a sense of serenity and spirituality, drawing viewers into a moment frozen in time where faith and devotion intertwine. The musical instruments scattered around Madonna hint at a heavenly chorus accompanying her as she presides over her celestial court.
Girolamo Marchesi da Cotignola's mastery shines through in every aspect of this painting, from the intricate drapery to the expressive faces of each saint. It serves as a testament to his skill as an artist and his ability to capture not only physical likeness but also spiritual essence.
As you gaze upon this masterpiece captured by Marco Ravenna's lens, let yourself be transported back to a time when art was more than just decoration—it was a window into the divine.
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