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Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician, philosopher and astrologer - Milano: Biblioteca Nazionale Braidense
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Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician, philosopher and astrologer - Milano: Biblioteca Nazionale Braidense
XEE5028461 Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician, philosopher and astrologer - Milano: Biblioteca Nazionale Braidense; (add.info.: Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician, philosopher and astrologer - Milano: Biblioteca Nazionale Braidense); Stefano Bianchetti
Media ID 38425648
© Stefano Bianchetti / Bridgeman Images
Anatomical Board Astrologer Internal Anatomy Leemage Whiteimages Anatomist
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This print showcases the intricate details of Metoposcopiae liber, The metoposcopy of 1658, by Gerolamo Cardano, an Italian doctor, mathematician, philosopher, and astrologer. Cardano's work delves into the study of facial features and their relation to one's character and destiny.
The image captures the essence of Cardano's expertise in astrology and his keen observation skills as he analyzes the lines and contours on a person's face. The engraving is rich in symbolism and expression, offering a glimpse into the complexities of human nature.
Displayed at Milano: Biblioteca Nazionale Braidense, this piece is a testament to Cardano's legacy as a Renaissance polymath who made significant contributions to various fields of study. His work continues to inspire scholars and enthusiasts alike with its blend of science, artistry, and mysticism.
Stefano Bianchetti has beautifully captured the essence of this historical artifact through his lens, allowing viewers to appreciate the fine details and craftsmanship that went into creating Metoposcopiae liber. This print serves as a window into a bygone era where knowledge was sought after through both empirical observations and metaphysical interpretations.
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