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Portefaix to Beirut. Photography by Charles Lallemand (1826-1904) in " Syria, costumes, voyages and landscapes". 1865. Private collection
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Portefaix to Beirut. Photography by Charles Lallemand (1826-1904) in " Syria, costumes, voyages and landscapes". 1865. Private collection
JEB4930681 Portefaix to Beirut. Photography by Charles Lallemand (1826-1904) in " Syria, costumes, voyages and landscapes". 1865. Private collection.; (add.info.: Portefaix to Beirut. Photography by Charles Lallemand (1826-1904) in " Syria, costumes, voyages and landscapes". 1865. Private collection.); © Jean Bernard. All rights reserved 2023
Media ID 38478666
© © Jean Bernard. All rights reserved 2024 / Bridgeman Images
Bearer Beirut Lebanese Lebanon Misery Pauper Syria Arab Civilization Jeanbernard
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EDITORS COMMENTS
This striking photograph captures the journey of a bearer from Portefaix to Beirut, taken by the talented photographer Charles Lallemand in 1865. The image is part of his series on Syria, showcasing the diverse costumes, landscapes, and voyages of the region during that time.
In this particular photo, we see a glimpse into the harsh realities faced by many individuals in Lebanon and Syria during the 19th century. The bearer depicted appears burdened with misery and poverty as he carries goods along his arduous journey. Despite the hardships he endures, there is a sense of resilience and strength in his posture.
Lallemand's keen eye for detail and composition shines through in this powerful image, highlighting not only the physical toll of such labor but also capturing a moment that speaks volumes about human endurance and perseverance.
As we reflect on this snapshot from history, we are reminded of the complexities of Arab civilization and Middle Eastern society during that era. Through Lallemand's lens, we are transported back in time to witness a poignant scene that continues to resonate with viewers today.
This rare print serves as a testament to both the artistry of photography and the enduring spirit of humanity captured within its frame.
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