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Morwick Mill, on the Coquet (bodycolour on paper)

Morwick Mill, on the Coquet (bodycolour on paper)


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Morwick Mill, on the Coquet (bodycolour on paper)

1213998 Morwick Mill, on the Coquet (bodycolour on paper) by Spence, Charles James (1848-1905); 26.8 x18.3 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The picturesque water-powered corn mill at Morwick on the River Coquet in Northumberland was built in the 19th century. It was demolished in 1979. ); eTyne & Wear Archives & Museums; British, out of copyright

Media ID 23024298

© Tyne & Wear Archives & Museums / Bridgeman Images

Northumberland Watermill River Coquet


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > James Charles

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Newcastle upon Tyne

> Europe > United Kingdom > England > Northumberland > Related Images

> Europe > United Kingdom > England > Rivers

> Europe > United Kingdom > England > Tyne and Wear > Newcastle upon Tyne

> Europe > United Kingdom > England > Tyne and Wear > Related Images

> Europe > United Kingdom > Northern Ireland > County Down > Newcastle

> Fine Art Finder > Artists > Charles James Spence

> Fine Art Finder > Artists > Paul (attr. to) Sandby

> Fine Art Finder > Britain


EDITORS COMMENTS
This print showcases the enchanting Morwick Mill, located on the serene River Coquet in Northumberland, England. Painted by Charles James Spence in the late 19th century, this bodycolour on paper artwork measures 26.8 x18.3 cm and is currently housed at the Laing Art Gallery in Newcastle-upon-Tyne. The image transports us to a bygone era when water-powered corn mills were an integral part of rural life. The picturesque setting of Morwick Mill amidst the tranquil countryside evokes a sense of peacefulness and nostalgia. Sadly, this historic mill met its demise in 1979 when it was demolished, making this print all the more precious as a testament to its existence. As we gaze upon it, we are reminded of our connection to history and how landscapes can change over time. The winter ambiance captured in this scene adds an ethereal quality to the composition. The soft hues and delicate brushstrokes bring out the beauty of both nature and man-made structures harmoniously coexisting. Through this artwork, we are invited to appreciate not only Spence's artistic talent but also reflect on our relationship with nature and heritage preservation. It serves as a reminder that even though physical structures may disappear, their memory lives on through art like this timeless piece from Bridgeman Images' Fine Art Finder collection.

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