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Early George III Chimneypiece, c. 1760-70 (pitch pine & pine)

Early George III Chimneypiece, c. 1760-70 (pitch pine & pine)


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Early George III Chimneypiece, c. 1760-70 (pitch pine & pine)

3557260 Early George III Chimneypiece, c.1760-70 (pitch pine & pine)
by English School, (18th century); 158x234.5x23 cm; Private Collection; (add.info.: Possibly designed by Robert Adam or John Carr. The central laurel-wreath tablet hung with bellflower swags, the scrolling acanthus corbels issuing graduated foliate pendants.); Photo eChristies Images; English, out of copyright

Media ID 23014012

© Christie's Images / Bridgeman Images

Chimneypiece Chimneypieces Fireplace Fireplaces George Iii Interior Design Mantelpiece Robert Adam John Carr


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> Fine Art Finder > Furniture: British


EDITORS COMMENTS
This print showcases an exquisite Early George III Chimneypiece, dating back to the late 18th century. Crafted from pitch pine and pine, this ornate piece of interior design measures an impressive 158x234.5x23 cm and is currently held in a private collection. The chimneypiece's intricate details suggest that it may have been designed by renowned architects Robert Adam or John Carr. The central laurel-wreath tablet adorned with bellflower swags immediately catches the eye, while the scrolling acanthus corbels gracefully extend downwards, culminating in graduated foliate pendants. Carved with utmost precision and skill, this mantelpiece exemplifies the opulence of its era. Its rich wooden texture adds warmth and character to any space it graces. As a decorative element within a room, it serves as both a functional fireplace and a striking focal point. With its elaborate ornamentation and masterful carving techniques, this chimneypiece epitomizes the grandeur associated with George III's reign. It represents not only an exceptional example of craftsmanship but also reflects the prevailing taste for lavish decoration during that period. Captured beautifully in this print by Bridgeman Images, every detail of this remarkable piece is brought to life. Whether admired for its historical significance or appreciated purely for its aesthetic appeal, this Early George III Chimneypiece undoubtedly stands as a testament to the artistry of its time.

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