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Punch cartoon: Man is but a Worm - Charles Darwins Theory of Evolution (engraving)

Punch cartoon: Man is but a Worm - Charles Darwins Theory of Evolution (engraving)


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Punch cartoon: Man is but a Worm - Charles Darwins Theory of Evolution (engraving)

6034945 Punch cartoon: Man is but a Worm - Charles Darwins Theory of Evolution (engraving) by English School, (19th century); Private Collection; (add.info.: Punch cartoon: Man is but a Worm - Charles Darwins Theory of Evolution. Illustration for Punch, Volume 82, January - July 1882.); Look and Learn / George Collection

Media ID 23279228

© Look and Learn / George Collection / Bridgeman Images

Ancestors Apes Biologist Biology Charles Darwin Descent Evolution Naturalist Punch Theory Of Evolution Worms Caricatures Comics


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EDITORS COMMENTS
This engraving titled "Punch cartoon: Man is but a Worm - Charles Darwin's Theory of Evolution" takes us back to the 19th century, where British satirical magazine Punch used humor and wit to explore scientific concepts. Created by an anonymous English artist, this illustration was featured in Punch Volume 82 between January and July 1882. The image cleverly depicts Charles Darwin's groundbreaking theory of evolution, which caused quite a stir during its time. In the center, we see a man with ape-like features crawling on all fours like a worm, highlighting the idea that humans share common ancestry with other animals. This satirical drawing not only captures the essence of Victorian humor but also reflects society's reaction to Darwin's controversial ideas. With its detailed caricatures and playful composition, this piece showcases the talent and creativity of British illustrators from that era. It serves as both entertainment and commentary on science, biology, nature, and human origins. Preserved in private collection until now, this print offers us a glimpse into history while reminding us of our ever-evolving understanding of ourselves and our place in the natural world. A true gem for art enthusiasts interested in exploring the intersection between satire and scientific progress.

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