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Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from "English Botanical Phenomenes" by William Baxter (1788-1871), 1837

Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from 'English Botanical Phenomenes' by William Baxter (1788-1871), 1837


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Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from "English Botanical Phenomenes" by William Baxter (1788-1871), 1837

FLO4567589 Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from "English Botanical Phenomenes" by William Baxter (1788-1871), 1837; (add.info.: Cotoneaster vulgaris - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from "English Botanical Phenomenes" by William Baxter (1788-1871), 1837); © Florilegius

Media ID 38446714

© © Florilegius / Bridgeman Images

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EDITORS COMMENTS
This stunning botanical print of Cotoneaster vulgaris by Isaac Russell, engraved by Charles Matthews, is a true masterpiece from the 19th century. Taken from "English Botanical Phenomenes" by William Baxter, this exquisite illustration captures the beauty and intricacy of nature in all its glory. The delicate details of the Cotoneaster vulgaris plant are brought to life through the skilled hands of Russell and Matthews. Each leaf and branch is meticulously rendered, showcasing the natural elegance of this species. The fine lines and shading create a sense of depth and dimension, making it seem as though the plant could come alive right off the page. As we gaze upon this botanical plate, we are transported back in time to an era when scientific illustration was not only informative but also a work of art in itself. The dedication to accuracy and precision in capturing every aspect of the plant's anatomy is truly commendable. This print serves as a reminder of the importance of preserving our natural world and appreciating its beauty. It is a testament to human curiosity and ingenuity in studying plants for both scientific knowledge and aesthetic pleasure. Truly a timeless piece that continues to inspire awe and wonder centuries after its creation.

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