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Orientalisme : "Beaute orientale" Europeenne vetue d'un turban et de voiles (a la turque ?) allongee avec un instrument de musique. Peinture de Charles Wynne Nicholls (1831-1903) (preraphaelite) 1865
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Orientalisme : "Beaute orientale" Europeenne vetue d'un turban et de voiles (a la turque ?) allongee avec un instrument de musique. Peinture de Charles Wynne Nicholls (1831-1903) (preraphaelite) 1865
UIG5344022 Orientalisme : "Beaute orientale" Europeenne vetue d'un turban et de voiles (a la turque ?) allongee avec un instrument de musique. Peinture de Charles Wynne Nicholls (1831-1903) (preraphaelite) 1865; Superstock/UIG
Media ID 38280856
© Superstock/UIG / Bridgeman Images
Orientalism Music Instrument Thinking
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EDITORS COMMENTS
This stunning print captures the essence of Orientalism in 19th century European art. Titled "Beaute orientale," it depicts a European woman adorned in a turban and veils, lounging with a musical instrument. Painted by Charles Wynne Nicholls, a member of the Pre-Raphaelite Brotherhood, in 1865, this piece reflects the fascination with Eastern culture that was prevalent during this time.
The woman's contemplative expression and elegant attire transport viewers to a world filled with exoticism and mystery. The intricate details of her costume, from the elaborate turban to the flowing veils, showcase the artist's attention to authenticity and craftsmanship.
Incorporating elements of Middle Eastern aesthetics into Western art was a common practice among artists like Nicholls who sought to capture the allure of distant lands. This painting not only serves as a visual feast for the eyes but also invites contemplation on cultural exchange and representation.
As we gaze upon this mesmerizing artwork, we are reminded of the power of art to transcend boundaries and spark curiosity about different cultures. It is through pieces like "Beaute orientale" that we can appreciate both the beauty of diversity and the universal language of creativity.
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