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The Reverse in Somaliland, Scenes of Expeditionary Warfare (litho)
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The Reverse in Somaliland, Scenes of Expeditionary Warfare (litho)
1601155 The Reverse in Somaliland, Scenes of Expeditionary Warfare (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: The Reverse in Somaliland, Scenes of Expeditionary Warfare. Illustration for The Illustrated London News, 25 October 1902.
R Caton Woodville); Look and Learn / Illustrated Papers Collection
Media ID 23068012
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
2nd Battalion British Force Engaged Interrogating Members Mullah Prisoners Recruit Recruiting Recruitment Representatives Reverse Scout Signalling Somalia Somaliland Sunrise Trackers Water Hole Base Camp Expeditionary Warfare Kings African Rifles Spoor
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The Reverse in Somaliland, Scenes of Expeditionary Warfare
EDITORS COMMENTS
is a captivating lithographic print by Richard Caton Woodville II that offers a glimpse into the intense and dramatic moments of an expeditionary warfare campaign. The artwork, originally published in The Illustrated London News on October 25th, 1902, showcases the artist's exceptional talent for capturing intricate details and evoking raw emotions. In this scene, we are transported to the arid landscapes of Somaliland at sunrise. A British force is engaged with tribal members as they recruit new soldiers and gather intelligence from captured prisoners. The burnished shield held by one soldier symbolizes their strength and resilience in the face of adversity. The composition beautifully depicts various elements of military strategy unfolding before our eyes. Representatives communicate through signaling while trackers examine spoor to navigate their surroundings. A scout stands watchfully atop a hill, ensuring the safety of his comrades. Woodville's attention to detail extends beyond just depicting military action; he also includes cultural nuances such as a Somali sentinel observing from afar. This inclusion adds depth to the narrative by highlighting both sides involved in this conflict. "The Reverse in Somaliland" serves as an invaluable historical document that sheds light on an important chapter in British colonial history. Through its powerful imagery and meticulous execution, it invites viewers to reflect upon the complexities inherent within expeditions like these while appreciating Woodville's artistic prowess.
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