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Interior of the Cave Temple of Indra Subba at Ellora, from Volume II of Scenery

Interior of the Cave Temple of Indra Subba at Ellora, from Volume II of Scenery


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Interior of the Cave Temple of Indra Subba at Ellora, from Volume II of Scenery

STC86075 Interior of the Cave Temple of Indra Subba at Ellora, from Volume II of Scenery, Costumes and Architecture of India, drawn by David Roberts (1796-1864) etched by Thomas Kearnan (fl.1821-50) and engraved by Henry Pyall (1795-1833) pub. by Smith, Elder and Company, 1830 (aquatint) by Grindlay, Robert Melville (1786-1877) (after); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 22790344

© The Stapleton Collection / Bridgeman Images

Hindu


FEATURES IN THESE COLLECTIONS

> Architecture > Country > India

> Architecture > Pubs

> Architecture > Related Images

> Architecture > Temples

> Arts > Artists > H > Thomas Henry

> Arts > Artists > R > David Roberts

> Arts > Artists > R > Thomas Roberts

> Arts > Artists > S > Robert Smith

> Asia > India > India Heritage Sites > Ellora Caves

> Asia > India > Related Images

> Fine Art Finder > Artists > Robert Melville (after) Grindlay

> Fine Art Finder > India & Neighbouring Countries


EDITORS COMMENTS
This print captures the mesmerizing beauty of the Interior of the Cave Temple of Indra Subba at Ellora. The intricate carvings and statues showcased in this image are a testament to the rich cultural heritage and artistic brilliance of India. The cave temple, depicted here with utmost detail and precision, is a marvel that leaves viewers in awe. Every nook and cranny is adorned with exquisite carvings, showcasing Hindu deities and mythological figures. The craftsmanship displayed in this artwork is truly remarkable, as it brings these divine beings to life through stone. The play of light within the cave adds an ethereal quality to this photograph. Shadows dance across the walls, highlighting every intricacy carved into its surface. It creates a mystical atmosphere that transports viewers into another world altogether. This particular print comes from Volume II of Scenery, Costumes and Architecture of India - a collection that sought to capture the essence of Indian culture during its publication in 1830. Drawn by David Roberts, etched by Thomas Kearnan, engraved by Henry Pyall, and later reproduced as an aquatint by Robert Melville Grindlay; their combined efforts have immortalized this stunning piece for generations to come. As we gaze upon this print today, we can't help but feel humbled by human creativity's ability to transcend time itself. It serves as a reminder that art has always been one of humanity's greatest achievements – bridging gaps between cultures while celebrating our shared history

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