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Bust with the head of a man, so called Quintillus, late 2nd/early 3rd century AD, (marble)
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Bust with the head of a man, so called Quintillus, late 2nd/early 3rd century AD, (marble)
7146169 Bust with the head of a man, so called Quintillus, late 2nd/early 3rd century AD, (marble) by Roman, (3rd century AD); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Bust with the head of a man, so called Quintillus, late 2nd/early 3rd century AD, roman art, marble, Uffizi gallery, Florence, Italy); Photo © Stefano Baldini
Media ID 31944886
© Stefano Baldini / Bridgeman Images
2 2nd 2nd 2nd Ii Iird Century 2 2nd Ii Iind Century 2 Century 2nd Century 2nd Century Ad 3 3rd Iii Iiird Century 3 Century 3rd Century 3rd Century Ad C2nd C3rd Emperors Faces Ii Century Iii Century Iiie Century Iind Century Marble Block Marble Stones Roman Civilisation Second Century Second Century Ad Third Century Third Century Ad Antic Rome Empress
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EDITORS COMMENTS
This print showcases a magnificent marble bust with the head of a man, known as Quintillus, from the late 2nd to early 3rd century AD. The exquisite craftsmanship and attention to detail in this Roman artwork are truly remarkable. Displayed at the Galleria degli Uffizi in Florence, Tuscany, Italy, this sculpture is a testament to the rich artistic heritage of ancient Rome. The smoothness of the marble and the lifelike features on Quintillus's face make it an exceptional piece that captures the essence of its subject. The photograph beautifully captures every intricate detail of this historical artifact. From the texture of the marble block to Quintillus's expressive eyes and strong jawline, it transports viewers back in time to when this masterpiece was created. As we gaze upon this portrait, we can't help but wonder about Quintillus himself – his role in ancient Rome and his significance as an individual during that era. This image serves as a window into history, allowing us to connect with our past through art. Stefano Baldini's skillful photography brings out all these elements and more. Through his lens, he not only preserves this extraordinary work for future generations but also invites us to appreciate its beauty and immerse ourselves in its historical context.
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