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Madonna of the Treasurers, 1567 (oil on canvas)
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Madonna of the Treasurers, 1567 (oil on canvas)
5058797 Madonna of the Treasurers, 1567 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 221x520 cm; Gallerie dell Accademia, Venice, Italy; (add.info.: Madonna dei Camerlenghi; made for the Camerlenghi family who were the financial magistrates of the Venetian Republic; coats of arms of Michele Pisani, Lorenzo Dolfin, and Mario Malipiero, who visit the child, on the lower left;
Photographed 1998); Alinari Archives, Florence
Media ID 23259028
© Alinari Archives, Florence / Bridgeman Images
Adoration Ceremonial Dress Colonnade Commissioners Donor Donors Enthroned Ermine Finance Fur Trim Gifts Giving Mannerist Offering Patron Patrons Portico Porticoes Sebastian Secretaries Treasury Viewing Visitation Votive Worshiping Bearded New Baby New Born New Born Babes New Born Infant Newborn Newly Born San Sebastiano Social History
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EDITORS COMMENTS
This print showcases Tintoretto's masterpiece, "Madonna of the Treasurers" painted in 1567. The oil on canvas artwork measures an impressive 221x520 cm and is housed in the prestigious Gallerie dell Accademia in Venice, Italy. Commissioned by the Camerlenghi family, prominent financial magistrates of the Venetian Republic, this painting holds great historical significance. On the lower left side, you can spot coats of arms belonging to Michele Pisani, Lorenzo Dolfin, and Mario Malipiero - esteemed figures who pay homage to the child depicted. The scene captures a moment of adoration as bearded patrons dressed in ceremonial attire worship Madonna and her child. The Virgin Mary sits enthroned with baby Jesus on her lap while surrounded by secretaries and commissioners viewing from a grand colonnade. Tintoretto's mastery shines through his attention to detail; from sumptuous velvet robes trimmed with fur to intricately painted landscapes that include a riverbank setting. The composition exudes opulence and wealth as gifts are offered to honor the divine presence. This Renaissance artwork beautifully combines elements of Mannerist style with religious symbolism. It portrays not only devotion but also social history through its portrayal of influential figures within Venetian society. As we gaze upon this remarkable print captured in 1998 by Alinari Archives, Florence, we are transported back in time to witness an extraordinary moment frozen forever on canvas – a testament to Tintoretto's artistic genius and his ability to capture both spiritual reverence and human grandeur within one frame.
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