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The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)
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The Coming of the Messiah & the Destruction of Babylon, c. 1832 (oil on canvas)
BAG12153 The Coming of the Messiah & the Destruction of Babylon, c.1832 (oil on canvas) by Colman, Samuel (1780-1845); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1973.; English, out of copyright
Media ID 23346348
© Bristol Museums, Galleries & Archives Purchased with the assistance of the Victoria & Albert Museum Purchase Grant Fund, 1973. / Bridgeman Images
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This print showcases Samuel Colman's masterpiece, "The Coming of the Messiah & the Destruction of Babylon" painted in 1832. The oil on canvas painting, housed at Bristol Museum and Art Gallery in the UK, depicts a powerful religious scene from the Old Testament. In this dramatic composition, Colman skillfully captures the anticipation and awe surrounding the arrival of the Messiah as prophesied in biblical texts. The vibrant colors and meticulous attention to detail bring to life an extraordinary moment filled with divine significance. The central focus of the artwork is undoubtedly on Jesus Christ himself, radiating light and surrounded by celestial beings. His presence symbolizes hope, salvation, and redemption for humanity. Meanwhile, below him lies Babylon - a once mighty city now crumbling under God's wrathful judgment. Colman's portrayal not only highlights his technical prowess but also reflects his deep understanding of Christian theology. Through this visual narrative, he invites viewers to contemplate themes such as faith, spirituality, and mankind's eternal quest for meaning. As we gaze upon this remarkable image captured by Bridgeman Images' lens through Fine Art Finder platform, we are reminded of how art can transcend time and space to convey profound messages that resonate across generations. It serves as a testament to both Colman's artistic brilliance and our enduring fascination with religious iconography throughout history.
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